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It's A Lot

It’s a lot to open your eyes in the morning,
to taste your own unbrushed mouth, to hear
thousands of voices and believe your own.
It’s a lot to lose even one friend,
to not be heard, or to be heard, and still
be paranoid that people hate you. It’s a lot
to put your heart on another’s train tracks,
to not take a loved one hostage with your own fear,
with what you don’t want to know about yourself.
Once, to explain how cold I’d become,
I confessed my love to a friend who didn’t
love me back. I felt the words leave my chest,
genuine, desperate, gone. It was a lot.
ConEd bills, job applications, small talk.
A lot to shake hands, raise eyebrows, debate
about basketball, eye contact over beer.
It’s a lot to hide behind a new shirt, old jeans,
to grow a beard, or eat a whole pizza,
to practice restraint, or to jog, voluntarily.
It’s a lot to remember a birthday,
let alone purchase a card and mail it,
to love people as imperfect as you are.
It’s a lot to not get your feelings hurt,
to let emotions pass through you,
to see your mother look like your grandmother.
It’s all very necessary, but it’s still a lot—
to say I’ve been good as a mannerism,
to say I haven’t as a fact. It’s a lot,
as well, to include the good things,
to not make a caricature of your sadness,
to only get your jump shot so good, and still
to have it fall left, to attend the dentist. It’s a lot
to be a good husband, an inattentive uncle,
to not know how to respond to an email—
so to say nothing. It’s a lot, maybe the most,
to say nothing. Yes.
To say nothing, and therefore continue
holding that nothing inside you.
That is by far the most.
This poem appeared in We Were Not Alone: A Community Building Art Works Anthology edited by Hari Alluri, and Seema Reza, published by Community Building Art Works, 2021.

10.09.2026

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